Marching
to a different tune?
Honda JAZZ testedRoad Test No.
31/84
Tall, short and
nippy with exellent fuel economy - this
is what Honda's new-to-the-UK Jazz is all
about. Is it simply a truncated Civic, or
does its "maximised inner
space" design make it an important
trend-setter?
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Packaging efficiency is
the term widely used in the car industry to
express how roomy a car is relative to its
outside dimensions. Honda talk in terms of their
"inner space" design concept. It means
the same thing.
The Jazz - called the
City in Japan, where it has been produced since
1982 - is shorter than rival supermini cars
thanks to the use of a high roof line. The extra
headroom available permits a more upright driving
position than usual, so that occupants need less
fore and aft space than they do with a
conventional design. At least that is the
theory...
Even including the
prominent front and rear bumper mouldings, the
Jazz's 134 in overall length is an inch shorter
than the Austin Metro, yet it is more than an
inch taller than the Fiat Uno, and Daihatsu
Charade CX High Roof, both notably upright
designs. There is nothing inherently new in the
tall-town car concept, though, as the Renault 4
and Fiat Panda demonstrate.
The Honda is in much the
same utilitarian mould as these established
designs, but it cannot be considered as a direct
competitor to them. Priced at £ 4,315, it will
be compared with mid-priced superminis such as
the Austin Metro and Fiat Uno. How can Honda
justify a premium price for such a small urban
runabout? Are they exploiting their reputation
for producing well-engineered small cars
eminently suited towards Europe?
The bold styling will
undoubtedly have its detractors but at least it
breaks away from the bland uniformity of the crop
of Japanese and European superminis. Not only
does the body shape fail to conform but the
engine has quite a large capacity and
consequently healthy power output relative to the
size and weight of the Jazz. Producing 56 bhp,
the Civic-derived engine is slightly more
powerful than the 55 bhp of the similarly priced
Nissan Micra 1.0 GL (£ 4,418) and the much
cheaper Fiat Uno 55 Super (£ 4,165). Close to
these three comes the Daihatsu Charade High Roof
(£ 4,679) which produces 51 bhp from its
3-cylinder engine. Some 10 bhp adrift of the Jazz
are the Metro 1.0 HLE (£ 4,428) and Vauxhall
Nova 1.0 L (£ 4,549). At 13.8 cwt, the Honda is
light for this class of car, promising good
performance and economy.
Honda's first foray into
the mini-car scene in the late 1960's - with the
diminutive air-cooled N360 and N600 series cars -
did not meet with much success in Britain. The
Jazz is in many ways a more conservative design.
It follows the mechanical layout of the previous
generation Civic, sharing a similar all-alloy
power unit, five-speed transaxle and
all-independent strut-type suspension.
However, there are some
important differences as it would be
uncharacteristic of Honda to produce a totally
orthodox design. The engine is a surprisingly
long stroke unit, with bore and stroke dimensions
of 66 x 90 mm giving a capacity of 1,231 cc. It
has a high compression ratio (10.2 : 1) dictating
a four star, 97 octane fuel diet. For
compactness, the cylinder head is a non-crossflow
design and, unlike the current 12-valve Civic
engine, has "only" eight valves. As is
usual for Honda, a toothed-belt drive is used for
the single overhead camshaft, the fuel system
uses a twin-venturi carburetter with a manual
choke and the ignition system is contactless. The
priority was to produce high torque at low engine
speeds, rather than high maximum power. Output
figures are 56 bhp at 5,000 rpm and 69 lb ft
torque at 3,500 rpm.
Complementing the torquey
engine is a five-speed manual transmission - the
Hondamatic auto version is not imported. Fifth
gear gives a long-striding 21.8 mph/1,000 rpm,
fourth, 18.4 mph/1,000 rpm. It is as well to
remember that many rivals - notably the Metro,
Samba, Nova and Polo - do not have the luxury of
a fifth gear, while it is an extra-cost option on
the Fiesta.
The Jazz follows the
Issigonis-Mini concept of a wheel at each corner;
in this case, using 12 in rims shod with 145
section tyres. At the front MacPherson struts are
fitted with progressive-rate coil springs while
for the rear suspension semi-trailing arms are
coil sprung. Despite the tall build (it is not
quite as high as it is wide) no anti-roll bars
are deemed necessary.
Braking is by
servo-assisted front discs and rear drums, with
the hydraulic circuits spilt diagonally. Rack and
pinion steering is used, geared at just over 3.5
turns lock-to-lock.
The tall, boxy shape
inevitably displaces a lot of air and, with a Cd
of 0.40 (actually better than the old Civic) it
is significantly less slippery than the best of
the bunch, the Uno (0.34). Even so, the maximum
speed of 89.1 mph, recorded in fourth gear, is
better than most rivals can manage. True, the
Fiat Uno's better shape gives it a slight
advantage (93.4 mph), but the Austin Metro (85.5
mph), Daihatsu Charade CX (84.6 mph) and Nissan
Micra 1.0 GL (87.4 mph) are more typical of the
average performance for the class.
Gunned through the gears,
the Jazz relegates all its rivals to diminishing
dots in the rear view mirror. The widely-spaced
gear ratios are easily masked by the engine's
impressive power characteristics and 60 mph is
reached in a very sprightly 12.7 sec - more than
a second quicker than the Nissan Micra which is
lighter and has a superior power to weight ratio.
The Fiat Uno's slippery shape is not much of an
asset below 60 mph (it takes 14.2 for the 0 to 60
mph sprint), while rivals like the Austin Metro
(18.2 sec) and Vauxhall Nova (18.5 sec) suffer
from a considerable power-to-weight ratio
disadvantage compared with the Honda. It feels
quick too. It is all too easy to provoke an
unintentional screech of protest from the tyres,
or a burst of wheel-spin in the wet, when moving
away from rest.
High gearing does not
blunt acceleration in the upper gear ratio, as
there is more than enough torque to compensate.
The 30 to 50 mph fourth gear increment is covered
in 10.8 sec, again beating the Fiat Uno (12.7
sec) - the only rival that produces anywhere near
as much torque as the Honda. Mechanically sweet
and smooth, the Jazz responds very cleanly to the
throttle; the only flaw is a second choke
hesitancy which abates after a lengthy warm-up
period.
Audibly it is less than
sweet when all the performance is used and the
engine noise becomes increasingly loud. Throbby
induction growl marks open-road progress, while
Mini-like transmission whine predominates around
town.
But the engine idles
impeccably and will spin freely to 6,000 rpm.
There is no tachometer, or even gearchange
markings on the speedometer, but the handbook
suggests maxima of 28, 47 and 68 mph in the lower
gears, corresponding to a 5,000 rpm, 500 revs
beyond the power peak.
The Jazz is a light and
flatteringly easy car to drive. The clutch is
smooth and progressive, the gearshift - despite a
long, spindly lever - as slick and foolproof as
one could wish and a well-cushioned drive-line
ensures that the car does not jerk, even if the
driver is careless. The lightness of the brakes,
though, is a disadvantage so far as smoothness is
concerned, giving the impression that you really
could literally stand this short car on its nose.
The raison d'être
for many small cars is their low running costs.
Many makers list special economy derivatives -
such as the Metro HLE, VW Polo Formel E and the
Fiat Uno ES - but the Jazz does not appear to
need this advantage. Given Motor's usual
brisk driving - encouraged by the Honda's eager,
cheeky, if somewhat unrefined manner - the
overall consumption of 40.8 mpg is particularly
creditable. It just pips the Metro HLE's 39.7
mpg, though the latter, and the Nissan Micra 1.0
GL, return better touring consumption figures -
showing that they have the potential to
give better economy than the Jazz, given
restraint. The nine-gallon tank gives a
phenomenal 434 miles touring range (for a town
car), but the filler flap is sited inconveniently
on the car's nearside and does not lock.
Some town cars are very
adept on the open road. The Jazz is safe and
predictable with better stability at speed than
one expects, but it does not encourage
over-zealous bend-swinging. Firm suspension
minimises body roll, but the early onset of tyre
squeal followed by strong understeer when you
persist inhibits Metro/Nova-style cornering
antics. Poor traction when accelerating out of
tight corners is another weakness, but there is
no tuck-in drama when the throttle is released in
mid-bend.
Despite the advantage of
independent suspension, the Jazz responds in a
very lively fashion to uneven roads. It is always
firm and clearly gives the impression that
suspension travel is minimal and the wheelbase
short - prompting one tester to comment that it
was reminiscent of a Morris Minor. There is
prominent bump-thump over cats'-eyes and a great
deal of tyre roar induced over coarse surfaces.
Overall, while no worse than a Vauxhall Nova or
Suzuki Sa 310 (which have "dead" beam
rear axles), the Honda's ride quality is
considerably inferior to the best current small
car standards exemplified by the Peugeot 205,
Fiat Uno and Talbot Samba.
Headroom is good, but by
no means exceptional. It permits a more upright
driving position than usual, encouraged, like the
Metro, by an "Italianate" driving
position. Compared with the Metro, a good deal
more rearward seat travel is available, though it
is an academic consideration because the steering
wheel then becomes out of reach and reduced rear
seat leg and knee room relegate the Jazz to a
two-plus-two. The seats are not conducive to
driving long distances, lacking thigh support and
not extending high enough to give any shoulder
support. The backrests have stepped recline
adjustments and, though the headrests also
adjust, they don't extend high enough.
Rear seat accommodation
is only adequate, though, even with the front
seats in a mid-way position; there is much less
room than in a Metro. Getting into the back is
awkward, as only the backrests of the front seats
tilt.
The out-of-sight sloping
bonnet makes it hard to judge the car's forward
extremities when parking, but on the road it
contributes to the excellent and commanding
driver's view. Powerful halogen lights, a rear
wiper (which will operate continuously), and a
remote controlled driver's door mirror are
further assets towards good vision, but the lack
of a dipping interior mirror is an obvious
cost-cutting compromise.
The minor controls follow
usual Honda practice, with indicators and lights
controlled by the righthand column stalk and
wipers by the left. Our testers appreciated the
central horn push on the steering wheel, but not
the lack of an intermittent or flick-wipe
provision for the wipers. Separate switches for
the rear wiper and washer pump are a needless
complication - these switches and others are
scattered along the facia, unhelpfully without
night-time illumination.
Instrumentation comprises
a prominent, clearly marked speedometer flanked
on either side by temperature and fuel gauges
(there is no warning light). There is a tripmeter
as well as the usual selection of illuminated
symbols, and a quartz clock in the centre of the
facia.
The heater responds very
slowly to changes in temperature demand, making
it difficult to achieve precise settings. Its
controls are illuminated. The fan has three
speeds and there is a recirculation provision for
a quicker wintertime warm-up.
Ventilation is
independent of the heater, though the outer fresh
air vents are robbed of air when the blower fan
is in use. Throughput is weak, but it improves
markedly when the sunroof is removed (it stows in
the boot) suggesting that the extractor vents -
positioned in the lower rear body panels - are
ineffective. The bonded-in, flush fitting rear
side windows do not open.
There are lots of oddment
space and small cubby holes inside the car,
including a full-width parcel shelf beneath the
dash and a pull-out tray which resides underneath
the front passenger's seat.
But, the luggage boot is
tiny - much smaller than any of our chosen
rivals, and only half the size of the Fiat Uno's.
Folding down the
one-piece rear seat makes the Jazz a more useful
load carrier, however, and the wide tailgate does
at least extend down to sill level.
The Jazz boasts a list of
standard fittings which would normally be absent
on basic, utility cars. Whereas the Daihatsu
Charade's electrically-powered sunroof adds a
further £ 200 to the price quoted in our rivals
list, the Honda's lift-out glass sunroof is a
standard fitment. The radio, clock, remote
controlled driver's door mirror, head restraints
and cigar lighter will not be found on all the
rivals we have listed either.
But there are examples of
cost cutting: the interior mirror does not dip,
nor does the fuel filler flap lock and there is
no rear parcel shelf canopy to conceal the boot
contents. There is no vanity mirror either.
While the exterior finish
is well up to Honda's usual exemplary standards
and indeed, the Jazz certainly feels
well screwed together, the interior trim
disappoints. Like an early Mini, the windscreen
header rail and roof side rails are simply left
as untrimmed, painted metal - as are the
windscreen and door pillars. The doors are only
partially trimmed - with unsightly platic
mouldings - and the cloth trimm covering the
seat's wearing surfaces does not look
particularlys durable.
Noise from all sources
pervades the Jazz's interior. Engine,
transmission and road noise have been mentioned
elsewehere, but at speed wind roar is a problem
too. As a town car it is acceptable but it is
disappointing that Honda is so far behind the
standards achieved by the better European
superminis, and even by the standards set by
themselves with some of their larger models in
their range.
Bystanders stop and stare
at the Jazz, proof enough of its radical styling.
Whether it has what it takes to establish itself
as a cult-car is another matter.
Objectively, it has fine
performance combined with class beating economy,
it is easy to drive and occupies little space on
the road. But by the high standards established
by rivals in this class, packaging is poor, the
ride is bouncy and noise refinement lacking.
So how much impact will
the Jazz make on the UK market? Probably very
little. Import restrictions will certainly limit
supplies and though it is not outlandishly
expensive, rivals offer better value for money.
Perhaps the greatest disincentive is that the
Jazz is only £ 500 cheaper than the new Civic.
And that's a gap that's hard to ignore.
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